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Translation - Tsjeggies-Engels - EnT-T, což znamená entita neboli jsoucnost, ale...Current status Translation
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Category Newspapers - Culture | EnT-T, což znamená entita neboli jsoucnost, ale... | | Source language: Tsjeggies
EnT-T, což znamená entita neboli jsoucnost, ale také podstata vÄ›cÃ, založil v Tel Avivu roku 2006 producent Lior Suliman, a ten vymezil jejà směřovánà vymezenÃm prostoru mezi labely Nonesuch, 4AD a ECM, ovÅ¡em v temnÄ›jÅ¡Ã poloze. V tomto smyslu mezi jeho nejstálejÅ¡Ã spolupracovnÃky náležà izraelská pÃsniÄkářka Tal Weiss, jejÞ album Motion Drawing je na této znaÄce už tÅ™età (po backcaTALog z roku 2005 a Tal Weiss z roku 2007). Obsahuje deset kÅ™ehkých miniatur s minimálnÃm nástrojovým obsazenÃm, tak v The Little Things zpÄ›vaÄku doprovázà pouze kontrabasista Peter Marck, v Ripping Sounds zase flétnista Lior Eitan, v Return of the Native violoncellistka Rachel Mercer a v nÄ›kolika dalÅ¡Ãch harfenistka Julia Rovinsky. Tomu odpovÃdá celkové ladÄ›nÃ: jde o dojÃmavé mapovánà niterných pocitů, působÃcà jako náplast na bolÃstky vlastnà i cizÃ, o až ostýchavé, obÄas nÄ›kde ukolébavkovité nebo dÄ›tsky naivistnà zpÄ›vánky, do nichž málokdy zasáhne rozvernÄ›jÅ¡Ã notovánà (Him & I). Tato něžná, kupodivu uklidňujÃcà nejistota a umÃrnÄ›nost, vyplývajÃcà možná z nevelkého rozsahu hlasu, může mÃt zázemà v obavÄ› z hrubosti tohoto svÄ›ta a v protikladnosti k nÄ›mu, což mohu doložit i vztahem k drastickým námÄ›tům, jako je hurikán, pojÃmaným s obdobnÄ› nepromÄ›nlivým ostychem. NivelizujÃcà omezenÃ? NeÅ™ekl bych. KÅ™ehká kresba japonského malÃÅ™e Hasegawy Tohaku (1539 – 1610) na obalu desky svÄ›dÄà o zámÄ›rnosti tohoto pojetÃ. A Tal Weiss zatÃm s tÃmto zmÃnÄ›ným singlem z alba (Return of the Native) slavà i mezinárodnà úspÄ›chy. | Remarks about the translation | A review I would like to understand... Thank you! |
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| ENT-T, which means entity or being, but... | TranslationEngels Translated by Lazybug | Target language: Engels
ENT-T, which means entity or being, but also essence of things, was founded in Tel Aviv in 2006 by producer Lior Suliman, who defined its direction by defining its space among labels such as Nonesuch, 4AD and ECM, albeit in a darker mood. In this sense, one of his steadiest collaborators is Israeli singer Tal Weiss, whose album Motion Drawing is already her third for this brand (after backcaTALog from 2005 and Tal Weiss from 2007). It contains ten fragile miniatures with minimal use of instruments, and so in The Little Things, the singer is only accompanied by bassist Peter Marck, in Ripping Sounds by flutist Lior Eitan, in Return of the Native by cellist Rachel Mercer and in several others by harpist Julia Rovinsky. The overall mood corresponds to this: it is a poignant exploration of inner feelings, acting as a patch on our own pains as well as the pains of others, almost shy, at times lullaby-ish or childishly naive songs, with only an occasional wider range of notes (Him & I). This gentle, surprisingly soothing uncertainty and moderation, possibly resulting from a small vocal large, may be grounded in fear of roughness of this world and opposition to it, which I can demonstrate by its relationship to drastic topics such as hurricane, which is explored with similarly constant shyness. Leveling restrictions? I don't think so. Fragile artwork by Japanese painter Hasegawa Tohaku (1539 - 1610) on the cover suggests intentionality of this concept. And for now, Tal Weiss continues to celebrate international success with the mentioned single from the album (Return of the Native).
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Laaste geakkrediteerde redigering deur lilian canale - 14 December 2013 12:33
Last messages | | | | | 25 September 2013 21:42 | | | Thank you so much Lazybug! | | | 26 September 2013 17:58 | | | You're welcome |
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