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heyecanlandırma bizi tek tek anlat

inde redire negant

Все на благо мне!

By recreating themselves, artists transcend their time and place and now Salim has endeavored to overlook the life in his hometown, Tehran, by composing his 6th album, namoWoman. An instrumental avant-prog and prog metal album, namoWoman hires microtonal Persian music influences while introducing a newly constructed language (conlang) named "l3abEl" (pronounced Babel) in which the album’s booklet is written.

Salim is a man of extremities while always seeking reconciliation and harmonization among the most remotely contradictory elements. So developing as a rock/metal artist in a rock alien environment in his hometown or expressing himself by personalized mediums like a conlang of his own, all come natural to his lifestyle. In his 2012 album, Salim has hired an expressionist microtonal approach toward art rock/metal that he describes himself as "empty spaces filled with occasional wild electric guitars and expressive melodies while having oriental dance elements undercover".

About the concepts behind namoWoman composition, Salim says "I have always found the assumption of impossibility an important trick against my mind – a human mind that usually prefers patterned and inductional methods of cognition." Salim adds: "As an artist, creating and experimenting with yet unexplored mental realms has always fascinated me and in order to trick my mind into pushing toward new possibilities, I like experimenting around fundamental concepts like human sexuality. Ideas like considering human sexuality beyond its dualistic nature let me to enter a new mindset and fascinations about worlds of non-Carbon based life, gradually fed my creativity for namoWoman. Maybe I can say this mindset forced my mind to respond on vital levels and challenge its own existence…"

The album cover features Carvaggio’s painting of Medusa, which according to Sigmund Freud is "the supreme talisman who provides the image of castration". Salim says: "namoWoman cover design is a symbolic representation as if the way of transforming dualistic conceptuality passes through castrating one’s sexual identity and reconstructing it anew. All songs in this album appear as perspectives of such creative realms".

Here, Persian music quarter tones are coming in between western music intervals – as Salim has outlined in a music theory article on his website, "Persian Modes: Reading Between the Lines of Western Music". While quarter tones harmonize namoWoman album’s musical language, the l3abEl conlang accompanying its booklet tries to establish the harmony in realm of words.

namoWoman is available in digital and CD format at www.salimworld.com/album-namowoman.htm

Ne rêve pas ta vie,
Vis tes rêves

于是，就 有 几 十 束 花 献 给 她，花 太 多 了，她 都 抱 不 住 了

เก่งๆ เว้าได้ตั้ง 2 ภาษา

São lindos seus olhos.

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Siparişinizin hazırlanıp, kargoya verilmesi için;
Alışverişinizin toplam tutarını belirtilen hesap numarasına Havale/EFT yapmanız gerekmektedir.
İşlem açıklaması kısmına Sipariş Kodunuzu ve Fatura bilgilerinde yer alan Adı Soyadı bilgisini eklemeyi unutmayınız.
26.07.2013 12:00'a kadar havale işlemini gerçekleştirmeniz gerekmektedir.
Bu tarihe kadar havalesi ulaşmayan siparişler sistemden düşecektir.

اضافه وزن بيش از اندازه ، هر روز ، بار سنگينى را به بدن شما تحميل مى‏كند. هر يك از دستگاه‏هاى بدن بايد بيشتر و بيشتر كار كند. اضافه وزن به معناى داشتن مقدار اضافى هر يك از اجزاى تشكيل دهنده بدن ، از جمله ماهيچه ، استخوان ، چربى و آب است. چاقى منحصرا به داشتن ميزان اضافى چربى اطلاق مى‏شود. ممكن است ورزشكاران و افرادى كه به بدنسازى مى‏پردازد ، بدون داشتن چربى اضافى و تنها با افزايش ميزان عضلات خود ، به چاقى مبتلا شوند.

Je t'aime ma chérie tu es la femme de ma vie

You were born an original, don't die as a copy.

I trust you to kill me

The measure of a great life is not how well loved you are but how well you love others.

Salmo 23 - ainda que eu ande pelo vale da sombra da morte, não temerei mal algum

Ela está vestida com força, fé e dignidade e ela ri sem medo do futuro.

I shall never forget you

Fais de ta vie un rêve, et d'un rêve, une réalité

The past is a source of knowledge, and the future is a source of hope. Love of the past implies faith in the future