Befejezett forditàsok

Maşallah Türkçen çok güzelleşmiş. İyiyim şükürler olsun, hâlâ babamlardayım eşimin gelmesine on beş gün kaldı. Doğumuma da iki ay kaldı. Dua et, inşallah normal ve kolay bir doğum yapabilirim. Evde herkes iyi. Ben de seni özledim, inşallah sağlıkla doğar da bebeğim fotoğrafını gönderirim tabii. Duayla....

"The music has from time to time the same darkness as we know from Univers Zero." -Iconophobic album review
"[It is] far removed from the avant-garde parts of any musical universe"
"You need to tread carefully if you are entering the Iconophobic world of Salim. You have been warned."
"Iconophobic is a strong statement from Salim on life in his home city of Tehran."
"Without information freely given, the visceral heart of the creator will serendipitously change you."
"Without ever becoming predictable, and taking care to add in the odd dissonant or arhythmic segment, the gritty guitars and swirling violins create stunning contrasts..."
"...Hendrix and Santana have also obviously instructed the phenomenal axe genius that Salim truly is."
"After careful listening I really wasn't able to find any particular artists that have influenced them more than others, or indeed pinpoint any specific influences at all."

The moment I came out of my mother's womb, I cried. Now, after finishing "Iconophobic" I know why. That deep void was a reality that I lost. I followed some chords. Hoping that they lead to the umbilical cord...

I used screaming guitars, classical instruments, electronic beats and even sound effects to grumble, pour out my heart, mourn and rejoice repetitively.

This album is a concept album about fearing the world of imagery. I don't know if it is really a psychological problem but I liked the idea of morbid alienation toward images, icons and in general, reality. Iconophobic's booklet contains a passage in form of a circle that reads:

"Alas that man was free...When there was no image.
Alas that image became a means... for altering the reality.
Alas that reality... is itself, an imagery by man."

"Abrahadabra" is a reflection of my exaggerated personal feelings. It is the first endeavor to my idea of “pictorial rock” - i.e. composition of sounds that recite a sequence of mental pictures. Actually all of these instrumental tracks have a real-life story behind them. There are very vague allusions to these stories in the CD booklet. e.g. “Route” is the story of a death ceremony and recites the mourning over the dead in a way that is done in eastern culture. Or “Told to the Bird” is the story of my own confession to a bunch of flying birds in a ritualistic way... In one sentence, while composing this album, I felt very lovesick, idealist and outraged.

"Sovereign" is an instrumental recitation of Shahnameh (The Epic of Kings) i.e. an extensive Persian epic poem written by Ferdowsi as a collection of Persian mythologies. Here you will find western rock instrumentation with eastern flavor. Some songs, I think, are apt to be adapted for traditional Iranian dance; especially “Sovereign” and “Harem” tracks. Actually, I am looking forward to the choreographic performance adaptations for this work whenever possible. Imagine Iranian "Coffee-house paintings" and belly dance with distorted guitars performing cheerful rhythms... Unusual combination? No, to me that sounds all natural!

I dream... and dream... and dream...
I live in my world of fantasy.
Walking in this world, I compose as I hear, and rest as I quiet.
Pictorial rock is a term I use for my music that is usually based on series of mental images, a nightmare or maybe dreams of a sound sleep... As a listener, you have to wait for the pictures to materialize in your mind!

Да беше сълза в очите ми, не бих заплакала, за да не те загубя. Ако можех със сълзи да те върна - бих плакала цял живот, за да те имам.

bütün arkadaşlarını çıkar facebook tan ikimiz tek kalalım

Sözlerim var söyleyemedim.
Güzel yüreğini incitemedim.
Bizde eksilen bir ÅŸeyler var.
Uzaklaştık, dur diyemedim.
Belki ben de bitsin istedim.
Şimdi arkamdan ağlayan mı var?
Hatayı biz aslında baştan yaptık,
Hatırla, iki hayatı yarım bıraktık.
Aynı yerlere bakıp başka şeyler gördük.
Biz hayallerimize bir heves yalandan aşk ördük.
Bir gün uyanıp uykudan yabancı bir yüz gördük.
Offf yazık, yanan ateşi söndürdük.
Yazık, yanan ateşi söndürdük.

Evet aşkım, seni çok özledim. Sensiz çok kötüyüm. Seni istiyorum, sensiz yaşamak haram bana. Seni seviyorum.
Seni istiyorum, seni seviyorum.
Seni seviyorum Marina.
Seni istiyorum Marina, tatlım.
Sensiz ben çok kötüyüm, her an seninle olmak istiyorum aşkım Marina.
Seninle birlikte yaşamak istiyorum aşkım. Benimle birlikte yaşamak ister misin?

Le jeune se nourrit de prêt-à-manger à cuisson minute, dont il suffit d'ouvrir le couvercle ou de soulever la membrane pour l'ingurgiter. La femme active, libérée de ses contraintes domestiques ou empêchée par un timing impossible, trouve dans la malbouffe industrielle les outils de son émancipation culinaire.

без обзира на њихово искуство са малом децом, они који намеравају да спроводе истраживања у раном детињству програми морају бити упознати са циљевима и климе програм у оквиру којег су деца функционисање

Искам да знам , че още мога
да те усещам както и преди.
Искам да знам , дали това си ти.

makedonya makedonlarındır

Tražim odvjetnika u Makedoniji.

Performed translations

Te ves hermosa en estas fotos

Beklenen Gün Gelecekse Çekilen Acılar Kutsaldır !

In economics, market structure (also known as market form) describes the state of a market with respect to competition.

Supply and demand: xRRR