Vertalings gedaan

"Abrahadabra" is a reflection of my exaggerated personal feelings. It is the first endeavor to my idea of “pictorial rock” - i.e. composition of sounds that recite a sequence of mental pictures. Actually all of these instrumental tracks have a real-life story behind them. There are very vague allusions to these stories in the CD booklet. e.g. “Route” is the story of a death ceremony and recites the mourning over the dead in a way that is done in eastern culture. Or “Told to the Bird” is the story of my own confession to a bunch of flying birds in a ritualistic way... In one sentence, while composing this album, I felt very lovesick, idealist and outraged.

In Ustuqus-al-Uss album I somehow inclined to jazz fusion and classic instrumentation. I think the eastern “blend” still dominates e.g. in “Ustuqus-al-Uss-al-Avvalin” which I think is the most progressive song I have ever composed (The second catchy guitar solo is performed by Pouyan). Some songs are extremely personal e.g. “Naught been I thou” which is an off-beat jazzy tune with unusual dance elements... These songs are my utmost fears and hopes - to a degree that made me mute from communicating by words. And thus they become instrumental sounds...

The moment I came out of my mother's womb, I cried. Now, after finishing "Iconophobic" I know why. That deep void was a reality that I lost. I followed some chords. Hoping that they lead to the umbilical cord...

I used screaming guitars, classical instruments, electronic beats and even sound effects to grumble, pour out my heart, mourn and rejoice repetitively.

This album is a concept album about fearing the world of imagery. I don't know if it is really a psychological problem but I liked the idea of morbid alienation toward images, icons and in general, reality. Iconophobic's booklet contains a passage in form of a circle that reads:

"Alas that man was free...When there was no image.
Alas that image became a means... for altering the reality.
Alas that reality... is itself, an imagery by man."

Tanrım, kötü kullarını sen affetsen ben affetmem.

U befsh 100 vjec lal

Kestim dar ağacında ipi

I am starting to get a potbelly

A fé é a chave da porta da casa de Deus.

Videre taedas patriae est nautis cura

Evigt elskes kun det tabte.

"The music has from time to time the same darkness as we know from Univers Zero." -Iconophobic album review
"[It is] far removed from the avant-garde parts of any musical universe"
"You need to tread carefully if you are entering the Iconophobic world of Salim. You have been warned."
"Iconophobic is a strong statement from Salim on life in his home city of Tehran."
"Without information freely given, the visceral heart of the creator will serendipitously change you."
"Without ever becoming predictable, and taking care to add in the odd dissonant or arhythmic segment, the gritty guitars and swirling violins create stunning contrasts..."
"...Hendrix and Santana have also obviously instructed the phenomenal axe genius that Salim truly is."
"After careful listening I really wasn't able to find any particular artists that have influenced them more than others, or indeed pinpoint any specific influences at all."

How are you? I hope you are fine and things are okay with you. I saw your profile on the net and I would like to know more about you. This address is also my yahoo messanger id. Email me directly on my email address or meet me online.

Si devono imparare bene le regole, per poterle infrangere nel modo giusto.

Всеки шанс си има срок на годност.

Muitos sabem muito. Ninguém sabe tudo. César sabe quase tudo.

A medida do amor é amar sem medida.

Spero che resteremo sempre buoni amici e che tu pensi a me come io penso a te.

Yaşamaksa seni sevmek, ben hiç ölmedim.

Merhaba,

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